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After his father's death at the hands of Kick-Ass, Chris dons a new mask and vows revenge on Kick-Ass and Hit-Girl. However, when Kick-Ass forms an alliance with Hit-Girl in order to destroy the D'Amico family business, he engages Kick-Ass in a fight and tries to kill him, but ultimately loses the fight. He is as ruthless as his father, although he is still human enough not to harm those who pose no threat to him or his father, as evidenced when he pleads with Frank to spare Kick-Ass' life after proving his innocence. He tricks Kick-Ass into taking him to meet Big Daddy and Hit-Girl, in order to lure all three heroes into a trap. During this time, he learns that Big Daddy and Hit-Girl, not Kick-Ass, are the vigilantes intent on bringing down his father's business. When it is believed that Kick-Ass is responsible for killing Frank's drug dealers and henchmen, Chris disguises himself as a superhero, Red Mist, and befriends Kick-Ass. As the story goes on there are increasing references to the distinction between real life and comic books and a couple mentions that life does not have sequels.In the first film, Chris appeared as Red Mist but also as the secondary antagonist. When a character says something racist or hateful, another will comment on how racist or hateful it is, trying to have it both ways. The entire film feels like something of a cop-out, a soft shrug rather than a hard slap. Transforming a rape scene into a sex joke makes an ugly moment into a tacky one and would seem the definition of not getting it. Wadlow also attempts to diffuse the scene with humor by having Mintz-Plasse’s character unable to, er, perform. Wadlow switches the character who gets attacked from Kick-Ass’ high school-age girlfriend to the adult female character known as Night Bitch. (And the comic’s writer Mark Millar recently sparked controversy with comments on his repeated use of rape as a storytelling device.) That internal tension - reaching for outrage but hesitantly pulling back - culminates in Wadlow’s handling of the comic’s notorious rape scene. The sequel’s violence feels soft-pedaled compared with the first film, continually shying away from being too graphic and with little of the gleeful revelry that give the first “Kick-Ass” its energy and punch. Not to be overly cynical about this change of heart, but Carrey got more notice, for himself and the film, by not participating.Īnyway, he needn’t have worried. Carrey recently declared he would not be promoting “Kick-Ass 2" due to a crisis of conscience regarding the film’s violence.
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The increasingly un-fun actor is a rather poor substitute for the madcap performance of Nicolas Cage in the first film as Hit-Girl’s father. Wadlow also expands slightly the role of amateur superhero Colonel Stars and Stripes, played by Jim Carrey. (Though even her story line is marred by a cheap, unnecessary joke in which a mean girl is made to evacuate her body from both ends at once.) As in the first film, it also doesn’t help that as a performer Taylor-Johnson is a charisma-free zone. The adventures of Hit-Girl as a regular person are far more compelling than those of Kick-Ass as a superhero. SPECIAL REPORT: The culture of violence in entertainment Among the film’s best moments is when young Mindy, trying to fit in, sees a boy-band video for the first time, unleashing a wave of hormonal responses that Moretz captures perfectly. Wadlow’s main addition to the story is expanding the attention given to the adventures of Mindy in the land of other young women, grappling with other people’s ideas of normal. Chris D’Amico (Christopher Mintz-Plasse) is leaving behind his identity as superhero Red Mist to assume the mantle of the world’s first super-villain, with a new name unprintable here.Īs in the first film, Moretz and her character of Hit-Girl largely overwhelm the rest of the film. High schooler Dave Lizewski (Aaron Taylor-Johnson) is desperate to get back in action as his alter-ego Kick-Ass, while the now teenage Mindy Macready (Chloë Grace Moretz) is struggling to maintain a promise that she no longer adopt the persona of Hit-Girl. The comic “Kick-Ass 2" is a lean, unpleasant piece of work, with a slight, straightforward tale of blood and revenge, so Jeff Wadlow, in taking over duties as writer-director from Matthew Vaughn, had to expand on the story.